Today marks the very first day of my term as an Emerging Artist in Residence with Millersville University. I need to digress a little before I proceed to explain what, exactly, this residency entails:
After graduating from Franklin and Marshall in 2013 I took two years to think seriously about what my next step will be. The majority of work on this site is either from my senior thesis or from these years outside of academia. My thesis, comprised of both sculpture and drawing, explores various themes branching out of feminism and the body. I chose to work from and create "deviant" bodies in order to better appreciate the body I inhabit as well as promote a more varied, diverse and non-villifying series of figurative sculpture. In the end I was satisfied with the work but disappointed in how little I was able to research and articulate my discoveries. Granted I was completing a double major at the time and probably had no time left (or energy!) to really dive into these vast topics.
In the two years since graduating I've worked at local museums and at my alma mater (as a photography tech (also I'm still working here! Huzzah!)), I've interned at the Philadelphia Museum of Art and worked at proving to myself that I can create outside of academia. In this time I've learned to play. Playing has become such a big part of my studio practice now and if there is only one thing I've learned in these gap years it has to be that playing is imperative. I'm a very anxious, driven and ambitious person. Somewhat oxymoronic in the sense that I tend to panic if I don't have enough work on my hands but also panic if I have to much. Coming out of college I thought that pushing myself to my utmost limit was what I was supposed to do. I thought that I would continue to thrive in the panic. I would create best in the panic. But I'm not a pleasant person in the panic. Also the panicking, hasty decisions quickly devolve from 'amazing feats of genius' to 'why the hell did I do that'.
So fast forward to year two. After having four jobs and trying to re-gain my bearings in my family life (I live with my parents. It's both a blessing and sometimes a curse) I realized that this is an unhealthy way to live. I also realized that I was getting very caught up in trying to make something perfect that I forgot why I liked art so much. I became a machine trying to pump out assignments and check off a laundry list of "concepts" though there really was no point or necessity to do so. I quit my jobs at the museums I worked at (long, arduous, personal story I may delve into later...or never) and focused on playing more. l decided to play with ideas I've had in exploring identity politics. I dove into researching topics regarding my Latinx and Hispanic background I've had an enormous interest in but could never find the time to devote. Through this recess of sorts, I started to really turn my focus away from trying to make 'intriguing,' pretentious work and began to focus on myself. I started to use the old mantra from my creative writing classes: "Write what you know."
And here we are today. I was accepted as an Emerging Artist in Residence at Millersville University late Spring/early Summer of this year and have begun serving as such today. This summer was fruitful. My newest series "Lazos de Sangre" is a real deviance from what I had been working on. It's more bold and really confronts personal issues I've had with my identity as a young Latinx female identifying person in the United States. It feels big and scary but in all the right ways. I am the sculpture EAR at MVU so a lot of the 2D work produced this summer will inform and perhaps show up in the sculptures I'm hoping to produce during my term. I actually had a really great conversation with my mentor (Line Bruntse) about my project that was very encouraging. It's really nice to have a serious conversation about the series since I've had the pleasure of exhibiting pieces from it three times now and all with very positive results but no real critical conversations. Exhibitions rarely produce honest constructive feedback. All too often people will either be overly nice because they are respecting your 'spotlight' or too harsh (probably bitterness because of said spotlight).
As far as the nitty-gritty aspect of the residency, I will be volunteering 10 hours per week outside of my personal 'making' time. I am expected to assist in cleaning the studios, maintaining a safe working environment and facilitating critiques with both beginning sculpture and advanced sculpture classes. There are two of us sculpture EARS working with Line this year and we share a studio space within the arts commons. The studio functions as a meeting place, creation station and haven for the two of us to escape to. For the sake of clarity, we don't live in the studios, we just work on our art there. We also have access to any of the other facilities we might need both in the art building and on MVU's campus at large. I also get the opportunity to learn any skills that I might want to use in my work alongside MVU students. At the end of the year I will participate in an exhibition with the other Artists in Residence (those in painting, printmaking etc.) where we will have the opportunity to discuss our experience and our work with the public.
And so concludes my introductory post. I will be updating weekly (or more...or less) on what I'm up to during this residency and posting photos of what I'm working on.